Nanni Moretti’s new film Mia Madre, starring the iconic Italian actress Margherita Buy, opens in North American theaters.
Italian master filmmaker brings us back to the lyrical minimalism of La stanza del figlio – The Son’s Room (Cannes Palme d’Or winner), with Mia Madre, the story of a director shooting a political film while coping with her mother’s terminal condition.
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Analyzing the importance of Naples as a source of artistic inspiration, Turturro’s “Passione” is a remarkable case-study: the Italian-American director decided to embark on a journey of discovery of Naples’ music and musicality. From the “bel canto” tradition to the newest popular sounds, Turturro documents the immense cultural heritage of Neapolitan music, and does so by directly involving Neapolitan artists in the process. Among these artists is Pino Daniele. The sound of Naples permeates the musical DNA of Pino Daniele, from the debut album “Terra Mia” to the latest works. His songs echo Mediterranean vibrations, mixing the Neapolitan dialect’s peculiar musicality to influences from different genres. The result is a unique “world music” sound, his creative hallmark, also characterizing his latest record, “La Grande Madre,” released last March, about which Daniele will answer questions at Casa Italiana.
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Naples is a tricky subject for any artist. How is one to balance the two competing and contradictory images of the city? “See Naples and die!” was the cultural imperative of the Grand Tour and the age of Romanticism. Chaos, Camorra and trash are the flip image. Naples is a “city painted in sound,” Turturro notes, and, like many poor places in the world, “music is a form of emotional and spiritual transportation . . . a form of prayer.”