Alberto Savinio, I re magi (The Wise Men), 1929. Mart – Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto (c) 2017 Artists Rights Society (ARS) / SIAE, Rome. Photo: Dario Lasagni
Main gallery looking south. Photo:Dario Lasagni
From left to right: Monumento ai giocattoli (1930), Le navire perdu (1928), L’abandonnée (1929), Le réveil du Carpophage (1930), Le songe d’Achille (1929), Chevauchée marine(1929), Prometeo (1929).
Renato Barilli on Alberto Savinio at CIMA
The de Chirico Brothers. Alberto de Chirico (left) Giorgio de Chirico (right).
His desire for escapism and aesthetic liberation propelled him to exceed as an artist. Renato Barilli
South gallery, east side. Photo:Dario Lasagni Sculpture: Louise Bourgeois' Nature Study(1984). From left to right: Senza titolo – Couple et enfant (1927), I genitori (1931), Jour de réception (1930)
Alberto Savinio, I miei genitori (My Parents), 1945. Private Collection. (c) 2017 Artists Rights Society (ARS) / SIAE, Rome. Photo: Dario Lasagni
Renato Barilli on Alberto Savinio at CIMA
CIMA’s operations are important and extremely useful because unfortunately the larger museums give selective attention to Italian artists and only reward a handful of exceptional cases. Renato Barilli
Alberto Savinio, Le navire perdu (The Lost Ship), 1928. Private Collection. (c) 2017 Artists Rights Society (ARS) / SIAE, Rome.Photo: Dario Lasagn
Alberto Savinio, I re magi (The Wise Men), 1929. Mart – Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto (c) 2017 Artists Rights Society (ARS) / SIAE, Rome. Photo: Dario Lasagni
